Taylor offers five distinctive shapes that are unique to the company and should be considered as part of any buying decision:
The ES-B system found on models including the GS Mini-e and the Academy series includes a digital chromatic tuner, but features only tone and volume controls.Ī guitar’s shape and size can make a real difference to its sound and playability. These work together with Taylor’s preamp, offering volume, treble and bass to provide onboard tone-shaping for players. The consistently strong performance of the current Expression System 2 adds to the versatility of its instruments.Įxpression System 2 uses three adjustable pickup sensors under the guitar saddle, as opposed to the traditional single piezo sensor. While many guitar companies use third-party preamps and pickups for their electro-acoustic models, Taylor decided to develop its own.
V-Class bracing has now been introduced to existing Taylor lines in the 300 series and above, as well as new designs. Taylor’s claims of improved sustain are undeniable to us, with the higher register especially benefiting from sweeter clarity and resonance. Andy Powers’ V-shaped bracing changes the way the guitar top vibrates, resulting in “a more orderly rocking motion across both sides of the top” for greater sustain and notes that are “more in tune with each other”. The manufacture of steel-string guitars has traditionally been dominated by X-shaped bracing, but in 2018 Taylor revealed a new approach called V-Class. To further understand why Taylor acoustic guitars are among the very best on the market, let’s home in on some of the company’s unique features: V-Class bracingīracing is the name given to an acoustic guitar’s internal framework, and it can have a significant effect on the sound. Taylor ES-B is the company’s entry-level preamp system, but offers a balanced and clear representation of the 12e-N’s acoustic strengths, with a low end that doesn’t require taming. The open midrange reveals a Latin-style voicing that’s ideal for clear complex chords, and even flamenco when played harder. A thin satin varnish helps to enhance the resonance, though it leaves the body more susceptible to knocks. The Grand Concert shape works beautifully with classical nylon strings, but the neck is narrower than the usual classical fare, making this a good option for those looking to make the transition from an electric or steel-string acoustic. Part of the Academy range aimed at providing new players with a positive first experience, its playability is something that all guitarists could benefit from – though it comes in a relatively utilitarian package by Taylor’s standards. If you’d like to start playing classical with an excellent foundation guitar, then the 12e-N is hard to beat. It has a lot of competition in this price range
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